The
experience of brewing felt totally different to me and every time I
brew a 'cuppa' I feel a slight tingle of pleasure simply from the
ritual of taking the pot, rinsing it out, sluicing it with hot
water, spooning in a teaspoonful of leaves, pouring on the boiling
water, setting aside the pot to stand and finally and triumphantly
pouring myself the cup.
I
confess to not owning any Royal Dalton china, but that doesn't seem
to matter too much. What
I find interesting in the experience is not that the tea tastes
better, though I suspect it does, rather it is that I feel somehow
enriched by the action, the ritual.
It took some weeks for me to recognise how attached I had
come to brewing the tea.
I
then reflected that my days of teabag dangling were over and that I
had accidentally reclaimed a social activity that many have lost.
The time to brew is important - it is a meditative act - but
just as importantly the tea bag culture of speedy and utilitarian
ends meets needs action had lost a minor battle.
The tea-pot had won out.
The
Murky Waters
Tea
is murky water. As a
metaphor it is also ambiguous.
On the one hand it is a symbol of colonial power.
Many millions over the centuries have laboured, warred and
died because of tea. The
humble cup of tea is not so innocent.
Yet
tea is also a symbol of refinement and stability.
It represents both tradition and continuity, propelling us
into a future that is safe and reliably familiar.
The tea bag makes this future more accessible and manageable.
Though
arguably illusory this safety is premised on a secure lineage that
is both aesthetically coercive and intimate.
It is as if we had a tea bag gene that seeks to carry forward
what we value while making it as unintrusive and convenient as
possible.
Irony
The
irony is that the tea bag as metaphor is deeply fractured.
It levels the
hights of great culture, a truly proletarian deed, bringing it
within the grasp of all while being itself the antidote to cultural
sensitivity of any kind. Within
its powdery heart lies the beauty and elegance of the Japanese tea
ceremony -lineage - and the British attachment to tea as a symbol of
home and hearth - intimacy.
As
modernity crashed upon the twentieth century time became more and
more precious and the quick, the instant became both fashionable and
necessary. The age of
the tea bag began in the offices and work places of people for ever
under pressure. It also
quickly made the transition into the home when family members needed
to grab a cuppa on their way to work or in the space provided by
advertisements on the television.
It
was not only quick - it was clean and efficient.
No more tea leaves under the rose bush or clogging up the
sink. In so many ways
the instant has simplified our lives, relieving us of the burden of
mundane reality. Eating
out means no more dishes. Dish
washing machines mean no more messy benches and sinks filled with
yesterday's dishes. And
thank god for disposable nappies!
What a relief. A
small price to pay for some ironic tension in our lives.
Tea
Themes
My
grand mother died emptying the tea pot under the rose bush at the
rear of her home. She
was an expansively British matron who had maintained her sense of
self through decades of tea drinking, usually with other women, in
the uncompromising Australian wilderness.
To her generation tea was the blood of social life, an
affirmation of the culture she had left behind and sought to
establish in a new land.
Tea
got the Brits through the war with Hitler.
If Hitler had had the imagination to stop tea imports in the
crucial years of Britain’s single handed resistance to Nazism
(1939-1940) we might be living in a different world today.
Tea rations were increased during 1940 as it helped the
average Briton be stoic in the face of what appeared to be enormous
odds.
Yet
tea, though deeply associated with things British has a very exotic
and pluralist nature. As
a beverage it is associated around the world with friendship and
conviviality. Russians
stew it in samovars, Tibetans boil it with yak butter, Indians and
Pakistani’s flavour it with cardamom and other pungent spices.
The Turks drink more tea than coffee despite being associated
with the latter. Tea
and China go hand in hand , not just because that country is the
birth place of tea but because peasant communities today still
produce awesome amounts of tea through traditional methods.
Mao
Zedong, during the Cultural Revolution, attempted to end the Chinese
habit of drinking tea in public because it was perceived as an
inefficient use of time. Tea,
despite being seen as un-American, is still drunk in vast amounts in
that country. And the
Japanese managed to raise the art of tea drinking to a mystic
experience of Zen mind in the famous tea ceremony.
Tea
production world wide is still increasing.
People can’t get enough.
It was the problem of not getting enough that lead the
British to engineer the Opium War with China and also create their
own plantations in their colonies around the world, forever changing
the shape - physically, culturally and economically - of the
countries that proved best suited to its growth and production.
Having to pay extortionate taxes on tea, a favourite drink in
the American colonies, precipitated
the famous Boston tea party. There
is no doubt that tea has changed the face of history.
Humanity
in a Tea Cup
What
is most interesting about tea though is the way it has been adopted
by such a diverse array of cultures.
As Kakuzo Okakura, author of The
Book of Tea (1907), wryly observes:
“Strangely enough humanity has so far met in the tea cup.
It is the only Asiatic ceremonial which commands universal
esteem.”
There
are as many different ways of drinking tea as there are peoples who
drink it. Tea has
adopted the cultural intricacies of the peoples it has come in
contact with. Unlike
other commodities of the global market which owe their success to
their uniformity, tea is unique in that it is a heterodox
phenomenon, blending in to each culture and being identified with it
as an essential part of social discourse.
The
tea-bag is simply the industrialized answer to the compressing of
social discourse and cultural dynamics.
Sixteen percent of tea world wide is consumed via the tea
bag. And all of that in
western industrialized countries.
It is only in these countries that time has been constrained
to such an extent that the tea bag - always an inferior tea - has
been able to take hold. Industrial
time makes of the tea bag a clean and efficient marvel of
engineering.
The
unity found in tea belies its colonial past.
Tea like bureaucracy, economic impoverishment, environmental
degradation and racial division is a legacy of colonial power.
The unity is in fact to be found in a shared post colonial
trauma experienced by the vast majority of humanity, all of which
is happily over looked through the sweet haze of a steaming cup of
tea.
Tea’s ready admission into the cultural hearts of people
world wide is a tribute to the cosmopolitan spirit, a spirit which
embraced all comers, and as the Indian historian Vinay Lal observed,
allowed the fingers of colonialism to strike at the very hearts of
cultures world wide.
The
Cost
The
futurist Rick Slaughter is fond of pointing out: everything has a
cost. The friendships
shared over tea world wide have been bought at the cost of colonial
intrusions into many quarters.
Similarly the tea bag is efficient, clean and speedy - in an
economically rational world, a world driven by restless energies,
predatory yet dynamic - the tea bag can even be said to have a
certain elegance: Streamlined purpose and clean exit.
It
has stripped back our culture just as it draws in the forms of other
cultures. My green tea
is not an Anglo Saxon brew even though I am.
Globalism in the form of the tea bag from Hell has entered
our kitchen and we can be as cosmopolitan as we like sipping tea
from Formosa, or Sri Lanka; from India, Australia, Tanzania or South
Africa. Thus the tea
bag has the potential to provide a multicultural gloss to life
without the substance.
The
inability to grasp at deeper cultural forms is due to the tea bag
mind set so often being restricted to the realm of litany where
consciousness is simply well packaged and disposable
There is no doubt that tea bag consciousness is lazy.
Not because it is quick, but because it lacks the mindfulness
to engage with culture in a meaningful way.
Mindfulness
Any
time saving device has the potential to unleash energy for more
mindful higher order tasks but what happens when the time is made,
yet no higher order is perceived?
If the tea bag allowed us the time to develop relationships,
reflect more deeply, engage more effectively in nurturing sustaining
actions then it would be a boon.
Yet
it has corroded our sense of time and self.
Its very accessibility has been an affirmation that the here
and now - the absolute present - is the moment of ultimate power.
Instant gratification becomes an end in itself.
The
implications for the future are great.
Tomorrow will take care of itself and can be trusted to
behave just as the tea bag itself behaves with regular, clean,
effective good sense. Relativism
and economy of time and scale transcend all else while giving us
the misguided sense that we are part of a global village.
In the tea bag, our cultural amnesia is complete.
A
Higher Order
The
tea bag also highlights western culture's inability to find higher
order meaning. We have
traded things of universal value - time, tradition, relationship,
reflective space - for an artifact that is ephemeral and disposable.
The aesthetic science involved in brewing a pot of tea, if
lost, needs to be replaced with another action that is rich in
cultural overtones even though it depends in part on the triumph of
the tea bag over the pot.
The
problem for many of us today is that we have not enough time to
reflect and process. Our
inner worlds are being sacrificed to outer demands.
Cultural activity is by its very nature laden with reflective
space. It has a mythic
dimension, a story to be told, a lineage to be counted and a link to
the future that is anchored in the human desire to partake of
richness and meaning.
The
tea bag has been part of the reduction of this cultural space at a
time when ironically it has freed humans up to place their energies
at the service of higher order objectives.
It has simply eclipsed a way of life that was rich in
reflective space and meaning.
Misgivings
aside, I have no doubt that the tea bag has a firm hold on the
future. I know that
at times I will still have to use them, and when I do I will not
lament
the 'good old days' of the tea pot.
What I will do is try to be mindful of what it allows me to
do now. I want to
jiggle my tea bag to a different tune.
Tea
Bag Futures
Tea
bag users in general are at the cross roads.
If we embrace the aspirations and practices of global
capitalism we may have to throw out the bag itself, as coffee is
trendier and more stimulating.
Already the heady scents of Nestles' and other corporations
are encircling the globe. And
lets face it, things could be a lot worse than a cup of coffee.
Still
my money is on the tea bag fighting back.
The tea bag gene is one that is strong within us all.
The desire for tradition, conformity and ease.
There is still a little ritual involved in jiggling the bag
before discarding it. If
instant coffee takes over there will be hardly anything left to
celebrate. Just
stirring in the sugar and milk.
On
the other hand, tea bags may reveal to us something of the deeper
nature of human beings. The
wealth of cross cultural strands that are available with a truly
dazzling palette of tea bags on hand.
This future is one that will resist the pressures of global
capitalism to make one of the many.
Yet it is in danger of simply skimming the artifacts from the
realm of culture and putting them on the supermarket shelf.
For
tea bag aficionados to really have something to celebrate they need
to rediscover what it was that tea first represented in our culture.
They need to own the colonial horror of it and move on to
looking for those higher order activities that the tea bag, in the
hands of modernism, have silenced: intimacy, relationship, open
ended time and reflective and aesthetic space.
To
do this perhaps we need to get out our tea pots once in a while and
sit by the fire to remember our selves.
We might even try our hand at reading the tea leaves.